Climate protests that glue bodies to asphalt seek to disrupt—but often perform.
What appears radical is quickly absorbed by the recognition loop: shared, judged, forgotten.
Without structural change or personal coherence, even resistance becomes spectacle.
The glue dries. The system stays.
Do-gooder activism is not about change—it’s about being seen as good.
The “Gutmensch” performs morality like a brand, trading justice for applause.
In a world ruled by recognition, even empathy becomes a costume.
Eidoism doesn’t reject goodness—it reveals when goodness is part of the loop.
Empires collapse not when they are defeated, but when they can no longer sustain the image they perform.
From Rome to Britain to the United States, the same pattern repeats: recognition replaces function, status overtakes structure, and appearance becomes more important than integrity.
Eidoism sees this not as tragedy, but as exposure—when the loop breaks form, collapse is just the next performance.
The press claims independence, but it dances in a loop with power.
Politicians feed narratives, journalists crave visibility, and the public applauds the performance.
What looks like truth is often just recognition, echoed back and forth.
This is not journalism—it’s the loop speaking through language.
Language was once a tool to build form.
Now it performs.
Each word seeks applause, correction, identity.
In the theater of speech, we no longer listen to understand—we listen to react.
Even silence is judged.
The loop has taken the voice.
